| BLOODROOT,
IN THE PRESS
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...from
Hard Melodic Rock - Denmark
Bloodroot Interview
Getting Deep With Bloodroot
Interview by Sven Krofta
Krofta:
So, first off, let’s introduce you guys, sitting here
is Johnny Young guitarist, lead vocal and founder, Roman,
bass and vocals, Ross on drums and Doug, guitar and vocals.
Okay
guys, first question, and anyone can take it, but tell me
a little about how Deep came into existence?
Johnny:
I really wanted to do an album that was gonna take some chances
– some different time signatures, different chords,
sing about stuff I’ve not covered on any album until
now. Plus, this album continued the great chemistry we’ve
been able to conjure up with this band.
Krofta:
So, do you think you succeeded? Are you happy with the final
product?
Roman:
Fuck yeah, I think we’re all really happy, but I think
it was a lot harder than we all originally thought. Because
we really wanted it to be something special, we just didn’t
want anything we’d be unhappy with, but that meant compromise.
We really debated stuff, too. We fought for stuff we believed
in, but we all know how to respect each other so the process
was really cool. But it got done, and in the end, I think
we’re all really happy we stuck it out and did it the
way we did.
Krofta:
So, what’s the plan now that the CD’s out?
Ross:
Get people to hear it, as many as we can. Radio, internet,
live shows – we love playing live. We have a great live
show, and when we’re out playing it’s really a
lot more fun than the studio. The studio was work and thought
and some real internal struggling, but our live show is awesome.
The live show lets us show off all our hard work in the studio.
Plus, I get to smash the shit out of my drums in front of
all kinds of people, Doug & Johnny get to jack their Marshalls,
and Roman gets to do his, well,…Roman thing.
Krofta:
I’ve listened to the CD and I’ve got to say, I’m
really impressed. You can see how much you’ve evolved
from your first EP, Bloodroot. What are some of your favorite
songs on Deep.
Doug:
I think we all like the polka, yeah, I think the polka. What
did we call it…? Seriously, though, I think we all love
Save Me, My Mistakes, Friend In Need, Into The Black, wait
a sec, pretty much all of them. I mean we recorded 16 songs
and we probably wrote dozens to get those 16. So, I guess
you can say that these are our favorite 16. And, after that,
it’s about how they fit together as a collection, not
so much about which is our #1, and which is our #2, and like
that. It’s more of a record you have to groove on from
beginning to end to get the full effect.
Krofta:
Do you have a favorite song to play live?
Johnny:
Well, that we do have, but it’s changed over tie. At
first I think Dig, then it went to Deep, lately it’s
been Friend In Need, but it took us a while to get to that
one since it’s farther into the album – a lot
of timing changes. But we worked hard to get it, so now it
really seems like we’re all likin’ that one the
best.
Krofta:
So, let’s go back to, uhh, what you said about chemistry
within the band. A lot of your fans have noted that you guys
look like you’re having a lot fun on stage, has anything
changed?
Roman:
No, not really, we have Doug now, he really adds to the sound,
and the stage show for sure, but we really like each other,
too.
Johnny:
We do, these guys come over for rehearsal, and I can’t
get ‘em the hell to leave. Even after the music we still
want to hang out.
Krofta:
So rapid fire now, let me hit you all with some quick questions
to give our readers a bit of a look into your guys’
souls…
Doug:
Souls?? We don’t have souls, we play rock, we
sold our souls…
Krofta:
What’s your favorite CD out right now, Johnny?
Johnny:
I’m torn between Audioslave and the Queens Of The Stone
Age…
Krofta:
Roman?
Roman:
MXPX, probably, and Incubus.
Ross:
Velvet Revolver and Deep.
Doug:
Queens Of the Stone age, too, and I think, the new Clutch
CD.
Krofta:
Nice, well, it’s been a blast talking to you guys –
I’ll be there tonight to see the show, but any last
thoughts?
Ross:
Just remember when you hear the CD for the first time, listen
to just the drums, yeah., only the drums, it’s the key…
Roman:
No way, Ross, just EQ out everything but the bass, that should
do it for just about anyone…
Doug: Don’t miss the magic polka, side C of the
single – the only track that has the kielbasa aftertaste…
Johnny: But, whatever you do, don’t listen to
the CD backwards… don’t even think about it, just
don’t go there…nada, nyet, nein…
from
www.kweevak.com
BLOODROOT – DEEP:
5 out of 5 stars
Bloodroot crafts songs that are intelligent and intense. Their
sound is hard rock
with touches of grunge, melodic, metal and psychedelic. 'Save
Me' is the forceful opener with its bold rhythms, dramatic
brakes, low-tuned, metal guitars and potent vocals. 'My Mistakes'
combines hard rock textures with melodic but strong vocals.
The drumming is dynamic melding with beguiling bass lines
and sizzling guitars. 'Live For Tomorrow' starts off with
subtle instrumentation and vocals but slowly builds up intensity,
climaxing at a souring guitar lead. Bloodroot's latest release
is aptly named as their music is Deep, dark and decisive!
Bloodroot is a power trio based out of Brooklyn, New York.
Johnny Young is the lead vocalist, guitar player, keyboardist
and producer. At age seventeen, Young toured with Mick Taylor
(formally of the Stones) and later received an Emmy for musical
production. Roman, on bass and backing vocals, and Ross Kantor
on drums are also talented players who bring impressive credentials
and influences to the band.
• Recommended Tracks: (1,4,10) [USA/NY 2005 - web] (Review
by Laura Turner Lynch for Kweevak.com)
 |
Americore
Magazine
Bloodroot, a powerful, groove-laden trio hailing from
Brooklyn, NY has come to take the hard music scene by storm.
With a bottom end as low as a snake's belly, backed by some
killer fretwork and an overall hard rock power punch, this
outfit has got the riffs, rhythms and rhymes to take care
of all of your heavy business. There's a plethora of influences
here, from the grungy (Alice In Chains, BADMOTORFINGER-era
Soundgarden) to the metallic (Helmet, Life Of Agony), which
helps shape this band into a true rock machine, able to grind
out at any given notice, but also displaying depth to go the
extra mile. Such is the case in the near seven minute Southwestern
tinged rocker "Earth Below", which mixes the ethereal
nature of The Doors with the heavier nuances of Stone Temple
Pilots. Get ready for Bloodroot to overcome your emotions
and fill all of your hard rock needs. www.bloodroot.net
-Mike SOS - Americore Magazine


Bloodroot (EP)
Darkly melodic hard rock
with a dash of
psychedelia
to mix things up

$6.00 US |
Funny,
in the band picture this trio look fresh out of high school
and looking like the sort of band who tour the US in a beat-up
Volkswagen camper van playing colleges and making jokes about
marijuana and flatulence, but apparently mainman Johnny Young
has played in a band with an ex-member of the Rolling Stones
and has won an Emmy award (for something unspecified), and who's
that behind the drum kit? Well, hell if it ain't Karl Wilcox
who used to be in Diamond Head (and is the only person in the
world who I've ever seen described as a "drummer and philosopher").
Bloodroot , then, provides six slickly-played hard rock
songs very much informed by the grunge and post-grunge eras,
with some distinctive Alice and Soundgarden elements in particular,
all very solid and audibly honest, as this music has to be to
thrive. Some of the lyrics are numbingly trite ("We're
all the same inside" from "Earth Below" and an
endlessly repeated "Won't you please tell me why / Some
must live and others die" from "Helpless" spring
to mind), but apart from that it's big riffs, big sounds, close
harmonies, y'know. Coming to an MTV2 near you. www.bloodroot.net.
] - Esoterica Metal Magazine Here
are some reviews about "Drone"
and "Shed
Your Skin" (CD releases as the Johnny Young band).
Michael
Allison - THEGLOBALMUSE.COM
Johnny
Young - The Rundown
Sound Quality: 5 stars
Production: 4 stars
Musicianship: 4 stars
Originality: 3 stars
Over All: 5 stars
Johnny
Young's music reminds me of Monster Magnet and maybe even
Alice in Chains or Soundgarden to some extent. The music
is a heavy modern rock style with a ton of attitude and
raw energy. I was drawn in by this music because of the
intensity and passion that I felt. Though I can't say that
I liked every song, I did like most of them. Some I simply
loved. Songs like "Mud" gave me that Soundgarden
familiarity, and "If I" was more of a Monster
Magnet style. The lyrics on this album definitely stood
out in my mind. The songwriting is very intelligent and
well thought out. The vocal delivery is by far the most
alluring feature on the album. Musicianship is excellent
as well. The over all appeal of this album kept me listening
all night long. Johnny Young delivers the goods in an inspirational,
yet raw and vibrant fashion. Basically, it's just good damn
music that was meant to be enjoyed. Who could ask for anything
more?
FLAGPOLE
6/6/2001 ABC Pick
Brooklyn
guitarist Johnny Young has built up a rather impressive
musical resume in an unusually short time. Blind since 17,
the multi-talented musician cut his teeth with former Rolling
Stone guitarist Mick Taylor, playing keyboards and singing
for the guitar legend's world tour. Since then, he's worked
with a number of indie bands, both as a producer and performer,
and won an Emmy for the music for "Guiding Light"
in 1996. Soon after, Young took up the guitar and formed
a self-named trio...releasing the debut Shed Your Skin in
1999. Johnny Young the man has proven to be a more-than-able
string bender, garnering comparisons to '60s rock heroes
Eric Clapton and Jimi Hendrix for both his instrumental
prowess and his ability to craft well-written songs around
his hot licks. Johnny Young the band creates a powerful,
driving sound that borrows from both the heavy rock histrionics
of the '80s and the melodic accessibility of post-grunge
'90s rock.
Like
former Alice In Chains frontman Jerry Cantrell, Young's
songs aren't simply vehicles for his soloing, and the band's
latest, Drone, is an excellent slab of darkly melodic hard
rock that bashes together plenty of crunching riffs, a pulsing
rhythm section and to-the-point lyrics with a dash of studio
psychedelia to mix things up.
Muzikman@musicdish
3/2001
...This
power trio stays at maximum warp drive, without any breaks.
...And it's unadulterated, unscathed rock and roll. ... It
won't hurt, you will just want some more. With crunching authoritative
chords on lead guitar, and with a wild and nasty rhythm section,
Johnny Young will blast their way into your eardrums, and
leave them ringing for hours. How else can I put this? This
group kicks ass and takes no prisoners, it's as simple as
that. Ah, rock and roll is poetic justice, isn't it?
ANTZONE
- January 2001
THIS
is the kind of rock it's always a pleasure to get in the
mail. Melodic, hard, not heavy, not death, not wholly negative,
just a Great Band playing the dark riffs of power guitar
stuff ... I understand the magic of getting a huge sound
out of only 4 people. Johnny Young does it one better. He's
on vocals, guitar. Christo Strone does bass. Lex Dunbar
bangs those damn drums. ...
The guitar work is top notch, and then up a notch more.
If he were in the 60s, by now he'd be hailed as one of the
greatest singer-guitarists, along with Clapton and Hendrix.
After all, songs like 'Mud' bring out his black side more
than usual, and with the typically blinding electric guitar
intro, you the listener are kicked into a dynamite blast
of guitar licks that doesn't stop. 12 songs....it's the
EXCITEMENT that Johnny Young causes on that spot in between
your ears that really shoots you up big time. With studio
musician skill, he slides every ROCK song into the bar with
that flaming guitar and shaggadelic vocal style like Eastwood
controlling a western set.
Joe
Wawyezniak -- Jersey Beat #63 - January 1999 on "Shed
Your Skin"
JOHNNY
YOUNG - Shed Your Skin (Menagerie Records, 440 Fifth Avenue
Brooklyn, NY 11215)This potently primordial 12 track debut
CD offers a blisteringly effective post-modem hard rock combination
of 80's heavy metal's mighty caveman stomp and 90's alternative
rock's carefully wrought melodic accessibility. Lead singer
Johnny Young's gritty, raspy, soaring voice savagely tears
its way through each hard-hitting song. The crunchy, power
chord-ridden guitars, putty, bottom-heavy drums which never
let up on the chunky, surging beats, and a thickly plodding
bass create a powerful, pulverizing sonic thrust which thankfully
eschews all-out abrasiveness in favor of a much more tautly
harmonic and controlled approach to banging out a tune that
gains considerable strength from its tightly focused intensity.
The band's harshly down-to-earth, confrontational, unsentimental
sensibility caps things off perfectly. A righteously dead-on
serving of no-bullshit, straight-with-no-chaser rock'n'roll
fury.
Dick
Metcalf, aka Rotcod Zzaj -- Improvijazzation Nation November
1998
Little
trio on this CD in from Brooklyn. This is a KEWL rawkin' thang.
Young has been blind since age 17, but he hasn't let that
get in his way at all! This music is FULL of punch & energy,
& a sensitivity not often heard these days! Young's lead
guitar/vox are thoroughly complimented by th' power driven
bass by Christopher Strone & th' butt-kickin' drums of
Emilio Vicini. If th' word "alternative" (when used
to describe rock music that's supposed to be "different")
has sorta' turned you off - think AGAIN! This is th' REAL
thing! Second cut in, "One Call", is a fave, but
none o' th' rest are slackerz', either! Strong lyrical bent,
with real style, not jus' another punker with a case o' wannabe!
Wanna' get yer' blood SURGING? GET THIS - it's MOST HIGHLY
RECOMMENDED & gets th' PICK of this issue for "best
rawker"! If yer' don't get another R&R album this
year - you jus' GOTTA' have this one! Independence with GUTZ'!
Terry
Allen
It's
pretty obvious from the opening track "Change"
on this album that here we have quite an undiscovered talent
ready to move into the spotlight. A great slow start to
the song slides brilliantly into a great bit of heavy riffage
to get your attention, alternating between the soft &
loud sounds.
The
further you venture into the album, the more this style
makes itself obvious, perhaps working an old theme, but
with new feeling. "Mariner" is a perfect example,
some cool heavy stuff right from the outset, as does my
favourite track "Taste", which may be the heaviest
thing here, verging on metal, but tending more towards hard
rock.
Also
interesting are "World Is Dead", "Had"
& the closing track "Heaven's Gate", sort
of a commentary on the religious cult of the same name,
utilising a wicked grunging riff & a great chorus as
well. A well rounded album that should appeal to a wide
variety of fans of out & out rock.
Kere
-- Worldwide Record Reviews - November 1998
I
like the texture in the vocals! It's a good production. Johnny
where did you ever find the model for the cd cover? Anyway,
It's modern rock with a weaved style of lyrics and music.
Straight forward to deep thought. Soft to hard. An interesting
blend of classic to modern rock and roll. Go New York!
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